Five Kinds of Silence by Shelagh Stephenson.
(Tragic Drama) Recommended Age 12+
A gut-wrenching immersive play brought to you by the creative mind of Adam J Lawrence in association with Chaos Combined Theatre.
Harrowing and claustrophobic, this unique and artistic presentation of Five Kinds of Silence describes the sickening abuse and torture inflicted by a father upon his family and explores the theory of Attachment, developed by John Bowlby, giving thought to how early relationships, particularly with caregivers, shape a childs emotional and social development.
Susan just shot Billy, her father. The grip he has on their lives means that she can’t quite believe that he is dead, his ghost haunts the stage spitting sharp poetry and insults adorned with bold stage effects never before seen. Billy’s voice from his past shows how a pattern of childhood abuse led to him abusing his own family, creating a psychological prison which no one can escape from. As psychiatrists and detectives interview the sisters and their mother in order to build a case for defense, they reveal the absolute totality of Billy’s control, punishing the slightest deviation from his exacting household rules with brutal violence and enforcing secrecy with threats of murder and suicide.
The play explores the impossible complexity of this family, deeply damaged by their life-long suffering.
Adapted from an award winning radio play
The Rise and Fall of Little Voice by Jim Cartwright
(Dramatic Comedy) Recommended Age 10+
A quirky dramatic comedy brought to you by creative minds at The House of Lawrence, this rendition will not fail to leave you gasping, with never before seen special and immersive effects, you haven't seen or felt anything like it.
Blown fuses, real and metaphorical, punctuate the action with flashes of pent up energy in this acclaimed play. The diminutive heroine frequently plunges the dilapidated house she shares with her alcoholic mother into darkness by playing her dead father's records at a volume matched only by the soulful power of her vocal impressions. Little Voice has a hidden talent: she can emulate every chanteuse from Judy Garland to Edith Piaf. She hides in her room, crooning and dreaming of love, while her disheveled mother mistakes a seedy agent's interest as affection rather than enthusiasm for the gold mine buried in her daughter's throat. This is an engaging fairy tale of despair, love and finally hope as LV finds a voice of her own.
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